Tag Archives: australian film

CinemaPlus: a game changer for indie films?

Underground: The Julian Assange Story is the prototype of a new form of
distribution and exhibition.

Don Groves / 15 March 2013 / SBS FILM

Filmmaker-distributor Robert Connolly aims to create a new paradigm for releasing
Australian films that don’t warrant a wide cinema release and playing up to six
sessions a day. Opening in Melbourne on March 17, Matchbox Pictures’
Underground: The Julian Assange Story is the first release from Connolly’s
CinemaPlus initiative, which entails a select number of special event screenings
around the nation.

That will be followed later this year by The Turning, the omnibus film based on a
Tim Winton novel, and Michael Kantor’s The Boy Castaways, a rock
musical/drama that stars You am I’s Tim Rogers, cabaret performer Paul Capsis and
ARIA Award-winner Megan Washington. Continue reading CinemaPlus: a game changer for indie films?

2012 box office figures in Australia

From Screen Daily:

Australian box office up on 2011; down on 2010

28 January, 2013 | By

The people of Australia spent $1,173.2m (A$1,125.5m) on cinema tickets in 2012, a 2.8% increase on the previous year but about $7.6m (A$7.3m) less than they spent in a record-breaking 2010.

 It is the third consecutive year that annual revenues have exceeded $1bn.

The Motion Picture Distributors Association of Australia (MPDAA) released the figures but, as usual, chose not to estimate admission numbers so early in the year.

It is likely that 85 to 90 million tickets were sold – the population is 22.9 million.

The five films that lead the pack in 2012 all grossed more than $30m:

  • The Avengers (Walt Disney);
  • Skyfall (Sony Pictures);
  • The Dark Knight Rises (Warner Bros);
  • Ted (Universal);
  • The Hunger Games (Roadshow).

The next five all exceeded $20m:

  • The Twilight Saga: Breaking Dawn – Part 2 (Hoyts/StudioCanal);
  • Ice Age 4: Continental Drift (Fox);
  • Madagascar 3: Europe’s Most Wanted (Paramount);
  • The Best Exotic Marigold Hotel (Fox);
  • Sherlock Holmes: A Game Of Shadows (Roadshow).

“Clearly 2012 benefitted from a tremendous mix of commercial and highly entertaining movies and consumers continue to demonstrate strong support for the timeless and unique appeal of going to the cinema,” said Marc Wooldridge, chair of the MPDAA, in a statement.

The managing director at Twentieth Century Fox Australia also said that Australia boasts some of the best cinemas in the world and a night at the movies continues to provide “a tremendous, good value, out-of-home experience”.

Of the 548 films (421 were new releases) that earned some money in 2012:

  • 231 (42.2%) were from the US
  • 63 (11.5%) from the UK
  • 43 (7.8%) from Australia
  • 211 from other countries.

According to government agency Screen Australia, the amount spent on tickets to the 43 Australian films was $49.8m (A$47.9m), which represented 4.3% of the total gross, and a few million dollars more than the five-year average.

The annual domestic share has not been higher than 5% for the past 10 years and no higher than 10% for the past 25 years.

The top grossing Australian film, The Sapphires, grossed $15.1m (A$14.5m). The others in the top five were Happy Feet Two, Kimderella, A Few Best Men and Mental.

Australia has 1,995 cinema screens and the MPDAA estimates that 72% of them are now converted to digital. Of these, 57% are 3D capable.

Wooldridge also noted that Australian exhibitors lead the world, on a per capita basis, on the number of screens accessible to disabled audiences.

Local filmmakers catch onto crowdfunding

Financing films using crowd funding is growing in Australia. It is hard to get
money for a feature if you have not yet made one.

Last week about 100 people gathered in a small studio in inner city Sydney to listen
to Andrew Masterson read excerpts from his novel The Second Coming. Director
David Barker and producer Angie Fielder also talked during the evening about how
they intended to make the 2001 Ned Kelly Crime Fiction Award winner into a film
noir murder mystery, and introduced actress Sarah Snook, who is set to be the film’s
femme fatale.

The Second Coming is about a man who believes he is Jesus and has to clear his
name after he becomes the prime suspect in a murder. It is hoped that the film
version will go into production in 2013.

Continue reading Local filmmakers catch onto crowdfunding

Joel Edgerton: Enjoying life on ‘the list’

Joel Edgerton is rapt yet philosophical about his ‘overnight’ success.

In the past year, Joel Edgerton has gone from Animal Kingdom, via Warrior and The
Thing, to The Great Gatsby, becoming the next big thing in Hollywood on the way.

But far from being an overnight sensation as some in the industry might perceive
him to be, the actor, writer and director from Blacktown has worked diligently at his
craft for decades in Australia.

”By the time I got any kind of real momentum in the States, I’d done a tonne of work
here,” he says. ”Now I feel equipped and I feel ready and yet at the same time people
over there are saying this guy’s a relatively new person.”

Instead of focusing all his energy on Hollywood, the 37-year-old will continue
making films in Australia, too. In his latest, Wish You Were Here, Edgerton plays
Dave Flannery, a family man whose holiday with his wife (Felicity Price) goes
horribly wrong. Shifting back and forth in time, the film gradually reveals the details
of a fateful night in Cambodia alongside the consequences back home in Australia.
The story also reveals more about Edgerton than he is entirely comfortable with.

Continue reading Joel Edgerton: Enjoying life on ‘the list’