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Social media free how-to guide

Email + Twitter + Facebook: 22 Tips to Cross-Channel Success

Download a free guide from Lyris, Inc. a global digital marketing expert

Leverage the power of email plus social:

Today, one in every nine people on earth is a Facebook user, Twitter generates an
average of 190 million tweets per day and more than 107 trillion emails were sent last
year. If you’re not engaging customers via social as well as email, you’re not reaching
your audience where they live, work and play.

Cross-channel marketing pulls it all together:

This guide highlights key takeaways for marketers on why cross-channel marketing
makes good business sense, and outlines tips and techniques for aligning Email,
Twitter and Facebook to deliver value and drive measurable revenue growth.

Starting with a simple subject line can launch a powerful 3-pronged campaign
Luxury appliance retailer, Dacor, grew their list 3X via social promotions
Apparel retailer, JOY the Store, grew revenue 5x via segmentation and social
You can get from the starting line to the bottom line: list growth, brand awareness
and increased revenue

Download the Complimentary Guide:
www.studio5design.net/pdf/Email-Facebook-Twitter-22-Cross-Channel-Tips-and-Takeaways.pdf

Screen Australia invests in new features

Screen Australia today announced nearly $5 million investment in four new feature
film projects, triggering close to $20 million in production.

“I’m thrilled to be able to announce production investment for such a unique mix of
feature films,” said Screen Australia’s Chief Executive, Ruth Harley. “These projects
combine iconic Australian stories and compelling genre films from both first time
and established filmmaking teams.”

The Oscar®-winning duo Emile Sherman and Iain Canning (The King’s Speech) will
produce Tracks, the true story of Robyn Davidson’s solitary trek across the
Australian desert, with co-producer Julie Ryan (Red Dog). A quintessentially
Australian story, Tracks is adapted for the screen by writer/director John Curran
(Praise, The Painted Veil).

Seventeen Australian directors including Cate Blanchett, Robert Connolly, Justin
Kurzel, Mia Wasikowska and David Wenham will respond to Tim Winton’s
hauntingly beautiful short stories in The Turning, a cleverly structured omnibus film
from acclaimed producer Robert Connolly. Other directors on board The Turning
include Benedict Andrews, Jonathan auf der Heide, Tony Ayres, Shaun Gladwell,
Rhys Graham, Ian Meadows, Yaron Lifschitz, Claire McCarthy, Ashlee Page and
Stephen Page.

Continue reading Screen Australia invests in new features

Whatever happened to non-linear films?

A decade ago, a caper like Contraband might have been in line for a fashionably
fragmentary narrative treatment – so why not now?

Straight and narrow … Contraband tells its story in a convenational narrative.

It’s a berth on the USS Contemporary all the way for Mark Wahlberg in his new
thriller Contraband, with its story about the counterfeit-money supply lines between
Panama and the United States. In fact, the film is a testament to the glories of (above
board) free trade: once known as 2008 Icelandic production Reykjavik-Rotterdam,
this piece of intellectual property has crossed the Atlantic with star Baltasar
Kormákur, who, as the new film’s director, ushered it smoothly into the Hollywood
warehouse.

Contraband is a solid enough 110 minutes, a bit like a lengthy episode of the Crystal
Maze set in a sweating central American metropolis overseen by some crazed UPS
official. But its feverish overplotting made me think it had missed a trick. It might
have benefitted from stringing together some elegant non-linear connections, like Traffic and Syriana, with whom it shares a fascination with international
logistics.

Continue reading Whatever happened to non-linear films?

Schepisi to Receive Vanguard Award

Director Fred Schepisi will be honored with the Vail Film Festival’s Vanguard Award,
while Krysten Ritter, who plays a lead role in the Starz series Gravity, has been
chosen to receive the festival’s Excellence in Acting Award.

The festival, which runs from March 29 to April 1 in Vail, Colorado, will present the
honores at its awards ceremony on its closing night.

Schepisi, whose credits include Six Degrees of Separation and The Chant of Jimmie
Blacksmith, most recently directed The Eye of the Storm, starring Geoffrey Rush,
Charlotte Rampling and Judy Davis. The film, which will be released in the United
States by Sycamore Entertainment, will have its U.S. premiere as the festival’s
opening night film.

Ritter’s film credits include She’s Out of My League, Confessions of a Shopaholic,
What Happens in Vegas, 27 Dresses and Vamps. She stars in Kat Coiro’s L!fe
Happens, which will screen as the festival’s closing night film.

3/20/2012 by Gregg Kilday – THR

Adam Zwar on Agony Uncles. ABC Wednesdays 9.30.pm

THE creator of Wilfred and Lowdown has a new show, Agony Uncles, in which male
celebrities talk about sex and relationships.

How long has the idea for this show been kicking around?

Since 2004. I had a newspaper column called ”The Wise Guy” and it was kind of like
a lad’s version of Sex and the City. At the time I’d been single for many years and I
wanted to educate women about how men actually behaved in relationships and
what went on in their minds when they were dating. I thought it would make a good
TV show so I did a pitch document and I didn’t get much interest … I kept rejigging it
over the years and each time I made the sizzle reel better – I got more people involved
and finally in 2010 I went to the ABC and they went for it.

Who do you see as the audience?

My ambition would be everybody. People say that I make stuff that’s cult – well that’s
not my ambition. I don’t want to be cult. I want people to watch stuff that I make. To
me it’s a celebration for men of how they deal with relationships – finally the truth is
out. For women it’s a behind-the-scenes insight into the locker room – what men talk
about.

Guys talking about sex could go horribly wrong. How important was the
input of your female co-producers, including your wife, Amanda
Brotchie?

So important. Amanda was the creative consultant and I’d be sometimes surprised by
some of the things that were considered misogynist or were a bit too wrong. We’d
have a few debates. Sometimes I’d put my foot down and say, ”Even though you
think that’s offensive, I think it’s important it goes in there.” And also you want to
make an impact. I really want this to be as authentic a representation of the male
voice as possible.

Was it at all awkward working on a show like this with your wife?

Amanda and I have a long-standing working relationship so if we have creative
disagreements it doesn’t tend to have much impact on our personal life.

Why did you choose to interview celebrities rather than the man in the
street?

You need to know how to tell a story with a beginning, a middle and an end with
jokes in between and I find entertainers have a greater sense of how to do that than
your average person in the street. It wasn’t that they were famous, it was that they
were good storytellers and had the guts to say what was on their minds.

Did anyone have regrets?

A lot of them can’t remember a thing they said. Yesterday I had a conversation with
Ed Kavalee and this journalist apparently said, ”You’re very brave in Agony Uncles,”
and he goes, ”What do you mean brave? What did I say that was particularly brave?”

How different is this from its sister show Agony Aunts, which airs later
in the year?

The guys talk about relationships in a jokey kind of way but the girls are taking this
really seriously. It doesn’t matter that we’ve got all these great comediennes talking
about relationships – I haven’t even touched the sides with how much I’ve thought
about relationships compared to them. It’s a serious business.

Do you think you’ve discovered the difference between men and women
after doing these shows?

I think it’s quite profound. And I think men should really think about relationships a
lot more than they are or the war is always going to be written by women. They’re
just like 10 steps ahead of us. It’s like we’re a C-grade team playing against a bunch of
international stars. We’ve got no hope.

Greg Hassall – SMH – March 18, 2012

Blokes share the agony of ecstasy

Agony Uncles, ABC1, Wednesday, 9.30pm

Des Dowling, Scott Brennan and Adam Elliot come clean about their experiences of
sex and love in this new series.

With tongue firmly in cheek, writer and actor Adam Zwar (Wilfred, Lowdown)
bravely goes where few people have hitherto dared: inside the psyche of men and the
rituals of love and romance.

On paper, this could have been a stinker. A bunch of self-satisfied blokes sitting
around discussing their experiences of women and the game of love has the vague
stench of locker-room misogyny.

The clip-and-talking-head format of this also bears strong similarities to the tedious
Grumpy Old … franchise, in which washed-up boomer-era comedians nostalgically
kvetch about what’s wrong with the world today.

For starters Zwar, who narrates and can often be heard in the background laughing
at the responses the discussions elicit, has rounded up a diverse bunch of men who
span generations, cultural backgrounds, personalities and sexual preferences.

There are blokes’ blokes like broadcaster Tim Ross and comedian Lawrence Mooney,
SNAGS such as Josh Lawson and Damian Walshe-Howling, Muslim academic
Waleed Aly, out-and-proud gay filmmaker Adam Elliot and the odd-couple pairing of
father-and-son John and Tom Elliott, among others.

As they talk about the first tentative steps that single men take in their quest to meet
Mr or Miss Right, or to paraphrase Robin Williams, Mr and Miss Right Now, what
emerges is a far cry from the stereotype of blokes bragging about their sexual
conquests, an image reinforced by background, Puberty Blues-era footage of leering
surfers standing next to their shining ”shaggin’ wagons”.

Continue reading Blokes share the agony of ecstasy

Promoting your film online – Hunger Games

Selling a movie used to be a snap. You printed a poster,
ran trailers in theaters and carpet-bombed NBC’s Thursday night lineup with ads.

Today, that kind of campaign would get a movie marketer fired. The dark art of
movie promotion increasingly lives on the Web, where studios are playing a wilier
game, using social media and a blizzard of other inexpensive yet effective online
techniques to pull off what may be the marketer’s ultimate trick: persuading fans to
persuade each other.

The art lies in allowing fans to feel as if they are discovering a film, but in truth
Hollywood’s new promotional paradigm involves a digital hard sell in which little is
left to chance — as becomes apparent in a rare step-by-step tour through the
timetable and techniques used by Lionsgate to assure that “The Hunger Games”
becomes a box office phenomenon when it opens on Friday.

Continue reading Promoting your film online – Hunger Games

Jim Schembri departs The Melbourne Age after 28 years

AFTER a number of Twitter indiscretions, The Age’s long-serving entertainment writer Jim Schembri negotiates an exit.

In a memo sent to staff last night, editor-in-chief Paul Ramadge wrote: “After 28 years of dedicated service and hard work bringing a distinctive voice to The Age’s entertainment coverage as a film and TV critic and feature writer, Jim has decided to embrace other challenges.”

Last week, website Crikey erroneously reported Schembri had been “sacked from his position following revelations he had reportedly dobbed on the employers of his Twitter critics and hinted at taking legal action under the auspices of Fairfax Media”.

In fact, management only asked Schembri to take early leave after Crikey broke news of his Twitter transgressions. It is understood Schembri had a substantial amount of time owing and Fairfax Media did not comment on Schembri’s misdemeanours.

Schembri has since negotiated his departure. It is believed he will continue writing  on pop cultural matters elsewhere.

He is the published author of more than 40 books, including the memoir Room For One and eight novels for young children.

Schembri was one of the best-loved and contentious writers at The Age, with his Modern Fable series in the 1990s a particular favourite with readers. He cultivated a strong film blog, Cinetopia, for the newspaper and occasionally attracted the opprobrium of the film industry for his strident views on the industry despite his championing of comedy and certain filmmakers.

While presenting at this year’s AACTA Awards, A Few Best Men’s director Stephan Elliott asked Schembri to “stop the poison pen” and “hate” after the journalist wrote his film was “unreleasable”. It went on to earn $5 million.

At the 2008 AFI Awards, The Black Balloon’s co-writer, Jimmy Jack, responded to Schembri’s criticism of his film by reading the review before saying “Jim Schembri. F*** you.”

And last year, The Chaser’s Hamster Wheel program named its segment on internet discretions ‘The Schembris’ after the journalist revealed a major plot twist in his review of Scream 4 before retracting it and writing it was merely a ruse to fool the “Twittersphere.”

In the memo to staff, Ramadge thanked Schembri for his contribution and wished him well. He added Schembri “has chosen to forego farewell drinks and will arrange an informal gathering soon.”

Michael Bodey – The Australian, 16/3/12

Cameraman kills earless bunny

An earless baby bunny that was a rising star on Germany’s celebrity animal scene had his 15 minutes of fame brought to an abrupt end when he was accidentally stepped on by a television cameraman.

The fate of 17-day-old Til, a rabbit with a genetic defect, was plastered across German newspapers on Thursday, the same day a small zoo in Saxony was to have presented him to the world at a press conference.

The cameraman told Bild newspaper he had not seen Til, who had buried himself in hay, when he took the fateful step backwards on Wednesday.

Til was reportedly hidden under hay when he was stepped on.Til was reportedly hidden under hay when he was stepped on. Photo: AP

Zoo director Uwe Dempewolf told Spiegel magazine that Til did not suffer.

“We are all shocked. During the filming, the cameraman took a step back and trod on the bunny.

“He was immediately dead, he didn’t suffer. It was a direct hit. No one could have foreseen this. Everyone here is upset. The cameraman was distraught.”

Spiegel Online reported that the rabbit’s body would be frozen while zoo officials decided if it would be stuffed.

Germany has been home to several global animal celebrities in recent years, including polar bear Knut and Paul the prognosticating octopus.

AP and smh.com.au

YouTube poised to upend old film models

Nora the piano-playing cat is no longer the main attraction as other programming comes on YouTube.

Since watching YouTube’s Entertainment Matters keynote at the Consumer
Electronics Show in January, I’ve spent more and more time pondering YouTube.
And YouTube has been giving me more and more to ponder, as the site is moving
away from Nora the Piano Cat and distraught Britney Spears fans to more ambitious
content.

The more I think about it, the more convinced I am that YouTube is getting ready to
burn down the filmed entertainment business as we know it. In fact, the match has
already been struck. We just haven’t felt the heat yet.

There’s been a lot of talk about targeted advertising and how that builds revenue
streams from YouTube, which reassures content producers and owners that there
will be a way to make money off Web video even as audiences splinter to
infinitessimal shards. That’s fine, but I think that talk assumes we’ll be watching the
same things, just watching them through YouTube instead of cable or broadcast.

But how people watch shapes what they watch. As people shift to watching YouTube
and other Web video services, longform video could become a niche product, just as
opera and classical music became niche products in a market dominated by pop
songs.

Continue reading YouTube poised to upend old film models