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screenwriting and directing in Australia and the world

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Recent Posts

‘Shayda’ director on producing her debut feature: “I needed to be at that table” March 23, 2024
AACTA confirms dates for 2024 awards, announces five-day festival of events September 1, 2023
Stan greenlights new dramas ‘Invisible Boys’, ‘Exposure’, ‘Thou Shalt Not Steal’ September 1, 2023
Opinion: In Australia, we have already gone from ‘mini-rooms’ to ‘micro-rooms’ May 22, 2023
Is a Deal With the DGA the Key To Ending the Writers Strike? May 12, 2023
‘Patriarchy has no gender. It doesn’t break down like that’: film-maker Nina Menkes dissects the male gaze April 22, 2023
THE CREATORS PARTICIPANTS ANNOUNCED March 23, 2023
John Collee talks ‘Boy Swallows Universe’ and mentoring emerging writers February 17, 2023
Noora Niasari’s ‘Shayda’ impresses at Sundance January 24, 2023
‘Shayda’: Sundance Review January 21, 2023
‘If I Went Back to Iran Today, I’d Be in Prison’: Why Noora Niasari’s ‘Shayda’ Is a ‘Drop in an Ocean of Change’ January 20, 2023
Cecil Holmes Award Speech by Samantha Lang – ADG Awards 8 December 2022 December 16, 2022
Rhiannon Fish, James O’Halloran bounce into Brisbane for Jo-Anne Brechin’s ‘When Love Springs’ December 13, 2022
BO Report: ‘Seriously Red’ has slowish start, ‘The Menu’ is served, ‘Strange World’ disappoints November 29, 2022
Melissa Black is writing a new direction November 24, 2022
One of Australia’s biggest TV producers is predicting a talent crisis November 20, 2022
Casting Guild unveils 2022 Rising Stars November 20, 2022
2022 AWGIE AWARDS November 18, 2022
Why the ‘Australian hunk’ is at the heart of a new boom in romance films November 17, 2022
The Newsreader – Creator Michael Lucas talks ambiguity, archives and the 80s October 11, 2022

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